Commentary

Hulk Hogan's legacy: how wrestling's kayfabe playbook conquered media, politics, and UFC

Jul 25, 2025

Key Points

  • Wrestling's kayfabe playbook — character performance divorced from reality — has become the dominant template across sports, politics, and media, with UFC now systematizing entertainment value over pure athletic merit.
  • Hulk Hogan's structural innovation was merging character and self so completely that controversy couldn't erase him; the persona gave him cover to resurface in new roles.
  • Algorithms reward volume and provocation over subtlety, making loud performers like Colby Covington more profitable than pound-for-pound dominant fighters who lack entertainment draw.

Summary

Hulk Hogan's death at 71 has prompted reflection on how wrestling's performative playbook—what insiders call kayfabe—has become the dominant grammar of American public life. The Wall Street Journal's Jason Gay frames Hogan as a transformative figure not because he was a traditional athlete, but because his career embodied a shift from regional entertainment spectacle to cultural force that fundamentally altered how sports, politics, and media operate.

Hogan's genius was understanding that to be noticed, you don't need to be loved. You need to be loud and outrageous. Born Terry Bollea, he refashioned himself repeatedly as hero, heel, Hollywood Hogan, convention speaker, blurring the line between character and person so completely that by the end, Hulk and Terry were indistinguishable. He could tank his reputation with controversy, then resurface in a new role. The character gave him cover; the person became secondary.

The mechanics of wrestling now operate across domains. Conor McGregor in UFC proved you could back trash talk with wins and become a superstar. Colby Covington, facing being cut from the UFC, rebranded himself as a pure heel by saying the most offensive things possible and loudly supporting Trump when it was unpopular, reviving his career despite never winning titles. Ilia Topuria tried copying McGregor's persona and faced criticism for it. The UFC, now owned by TKO alongside WWE in a $33 billion public company, has systematized the playbook: fight selection, fighter elevation, and pay are increasingly driven by entertainment value, not pure athletic dominance.

The algorithms reward volume. Digital tools have decoupled performers from traditional media gatekeepers, so the skillful soft touch has given way to folding-chair swings. Context, subtlety, and expertise have become liabilities in a noise-driven culture. Even in UFC, a sport where outcomes are genuinely contested unlike wrestling, the pound-for-pound rankings eventually reflect real athletic ability. But the fighters who get paid most and fight the highest-profile matches are often the loudest, most entertaining ones.

Hogan's legacy isn't that he was great at wrestling. It's that he understood people are watching performance, not sport. He merged character and self so effectively that even his scandals, including recorded racist slurs, couldn't permanently erase him, because Hulk Hogan the character was separable from Terry Bollea the person. That architecture now defines how public figures across every sector operate. You perform, you brand, you rebrand, you draw attention, you survive.